Michael Jackson
Michael Joseph Jackson[1][2] (August 29, 1958 – June 25, 2009) was an American singer, songwriter, record producer, dancer, and actor. Called the King of Pop,[3][4][5] his contributions to music, dance and fashion[6][7][8] along with his publicized personal life made him a global figure in popular culture for over four decades.
The eighth child of the Jackson family, Michael made his professional debut in 1964 with his elder brothers Jackie, Tito,Jermaine, and Marlon as a member of the Jackson 5, and began his solo career in 1971. In the early 1980s, Jackson became a dominant figure in popular music. His music videos, including those of "Beat It", "Billie Jean", and "Thriller" from his 1982 album Thriller, are credited with breaking racial barriers and transforming the medium into an art form and promotional tool. The popularity of these videos helped bring the television channel MTV to fame. Jackson's 1987 albumBad spawned the U.S. Billboard Hot 100 number-one singles "I Just Can't Stop Loving You", "Bad", "The Way You Make Me Feel", "Man in the Mirror", and "Dirty Diana", becoming the first album to have five number-one singles on theBillboard Hot 100. He continued to innovate with videos such as "Black or White" and "Scream" throughout the 1990s, and forged a reputation as a touring solo artist. Through stage and video performances, Jackson popularized a number of complicated dance techniques, such as the robot and the moonwalk, to which he gave the name. His distinctive sound and style has influenced numerous artists of various music genres.
Thriller is the best-selling album of all time, with estimated sales of 65 million copies worldwide. Jackson's other albums, including Off the Wall (1979), Bad (1987), Dangerous (1991), and HIStory (1995), also rank among the world's best-selling albums. He is recognized as the Most Successful Entertainer of All Time by Guinness World Records.[9][10]Jackson is one of the few artists to have been inducted into the Rock and Roll Hall of Fame twice, and was also inducted into the Songwriters Hall of Fame and the Dance Hall of Fame as the only dancer from pop and rock music. His other achievements include multiple Guinness World Records, 13 Grammy Awards, the Grammy Legend Award, the Grammy Lifetime Achievement Award, 26 American Music Awards—more than any other artist—including the "Artist of the Century" and "Artist of the 1980s", 13 number-one singles in the United States during his solo career,—more than any other male artist in the Hot 100 era—and estimated sales of over 400 million records worldwide.[Note 1] Jackson has wonhundreds of awards, making him the most awarded recording artist in the history of popular music.[11] He became the first artist in history to have a top ten single in the Billboard Hot 100 in five different decades when "Love Never Felt So Good" reached number nine on May 21, 2014.[12] Jackson traveled the world attending events honoring his humanitarianism, and, in 2000, the Guinness World Records recognized him for supporting 39 charities, more than any other entertainer.[13]
Aspects of Jackson's personal life, including his changing appearance, personal relationships, and behavior, generated controversy. In 1993, he was accused of child sexual abuse, but the civil case was settled out of court for an undisclosed amount and no formal charges were brought.[14] In 2005, he was tried and acquitted of further child sexual abuse allegations and several other charges after the jury found him not guilty on all counts. While preparing for his comeback concert series, This Is It, Jackson died of acute propofol and benzodiazepine intoxication on June 25, 2009, after suffering from cardiac arrest. The Los Angeles County Coroner ruled his death a homicide, and his personal physician, Conrad Murray, was convicted of involuntary manslaughter. Jackson's death triggered a global outpouring of grief, and a live broadcast of his public memorial service was viewed around the world.[15] Forbes ranks Jackson as the top-earning dead celebrity, a title held for a sixth consecutive year, with $115 million in earnings.[16]
Life and career
1958–75: Early life and the Jackson 5
Michael Joseph Jackson was born on August 29, 1958. He was the eighth of ten children in a working class African-American family living in a two-bedroom house on Jackson Street in Gary, Indiana, an industrial city and a part of the Chicago metropolitan area.[17][18] His mother, Katherine Esther Scruse, was a devout Jehovah's Witness. She played clarinet and piano and once aspired to be a country-and-western performer, but worked part-time at Sears to support the family.[19]Michael's father, Joseph Walter "Joe" Jackson, a former boxer, was a steelworker at U.S. Steel. Joe also performed on guitar with a local rhythm and blues band, the Falcons, to supplement the family's household income.[20] Michael grew up with three sisters (Rebbie, La Toya, and Janet) and five brothers (Jackie, Tito, Jermaine, Marlon, and Randy).[21] A sixth brother, Marlon's twin Brandon, died shortly after birth.[22]
Jackson had a troubled relationship with his father, Joe.[23][24] In 2003, Joe acknowledged that he regularly whipped him as a boy.[25] Joe was also said to have verbally abused his son, often saying that he had a "fat nose".[26] Jackson stated that he was physically and emotionally abused during incessant rehearsals, though he credited his father's strict discipline with playing a large role in his success.[23] Speaking openly about his childhood in an interview with Oprah Winfrey, broadcast in February 1993, Jackson acknowledged that his youth had been lonely and isolating.[27] His deep dissatisfaction with his appearance, his nightmares and chronic sleep problems, his tendency to remain hyper-compliant, especially with his father, and to remain childlike throughout his adult life, are consistent with the effects of the maltreatment he endured as a young child.[28]
In an interview with Martin Bashir, later included in the 2003 broadcast of Living with Michael Jackson, Jackson acknowledged that his father hurt him when he was a child. He recalled that Joe often sat in a chair with a belt in his hand as he and his siblings rehearsed, and that "if you didn't do it the right way, he would tear you up, really get you."[29][30] Both of Jackson's parents have disputed the longstanding allegations of abuse, with Katherine stating that while whippings are considered abuse today, such action was a common way to discipline children back then.[31][32][33] Jackie, Tito, Jermaine and Marlon have also said that their father was not abusive, but rather misunderstood.[34]
In 1964, Michael and Marlon joined the Jackson Brothers—a band formed by their father and which included brothers Jackie, Tito, and Jermaine—as backup musicians playing congas and tambourine.[35] In 1965, Jackson began sharing lead vocals with his older brother Jermaine, and the group's name was changed to the Jackson 5.[21] The following year, the group won a major local talent show with Jackson performing the dance to Robert Parker's 1965 hit "Barefootin'".[36] From 1966 to 1968 the band toured the Midwest, frequently performing at a string of black clubs known as the "chitlin' circuit" as the opening act for artists such as Sam & Dave, the O'Jays, Gladys Knight, and Etta James. The Jackson 5 also performed at clubs and cocktail lounges, where striptease shows and other adult acts were featured, and at local auditoriums and high school dances.[37][38] In August 1967, while touring the East coast, the group won a weekly amateur night concert at the Apollo Theater in Harlem.[39]
The Jackson 5 recorded several songs, including "Big Boy" (1968), their first single, for Steeltown Records, a Gary, Indiana, record label,[40] before signing with Motown in 1969.[21] They left Gary in 1969 and relocated to the Los Angeles area, where they continued to record music for Motown.[41] Rolling Stone later described the young Michael as "a prodigy" with "overwhelming musical gifts" who "quickly emerged as the main draw and lead singer."[42] The group set a chart record when its first four singles—"I Want You Back" (1969), "ABC" (1970), "The Love You Save" (1970), and "I'll Be There" (1970)—peaked at number one on the Billboard Hot 100.[21] In May 1971, the Jackson family moved into a large home on two-acre estate inEncino, California,[43] where Michael evolved from child performer into a teen idol.[44] As Jackson began to emerge as a solo performer in the early 1970s, he maintained ties to the Jackson 5 and Motown. Between 1972, when his solo career began, and 1975, Michael released four solo studio albums with Motown: Got to Be There (1972), Ben (1972), Music & Me (1973), and Forever, Michael (1975).[45] "Got to Be There" and "Ben", the title tracks from his first two solo albums, both became successful singles, as did a cover of Bobby Day's "Rockin' Robin".[46]
The Jackson 5 were later described as "a cutting-edge example of black crossover artists."[47] Although the group's sales began to decline in 1973, and the band members chafed under Motown's refusal to allow them creative input, they achieved several top 40 hits, including the top five single "Dancing Machine" (1974), before leaving Motown in 1975.[48]
1975–81: Move to Epic and Off the Wall
In June 1975, the Jackson 5 signed with Epic Records, a subsidiary of CBS Records,[48] and renamed themselves the Jacksons. Younger brother Randy formally joined the band around this time, while Jermaine chose to stay with Motown and pursue a solo career.[49] The Jacksons continued to tour internationally, and released six more albums between 1976 and 1984. Michael, the group's lead songwriter during this time, wrote hits such as "Shake Your Body (Down to the Ground)" (1979), "This Place Hotel" (1980), and "Can You Feel It" (1980).[35]
His work in film began in 1978, when he starred as the Scarecrow in The Wiz, a musical directed by Sidney Lumet that also starred Diana Ross, Nipsey Russell, and Ted Ross.[50] The film was a box-office failure.[51] While working on the film Jackson met producer Quincy Jones, though this was not the first time they had met (they originally met when Michael was 12, atSammy Davis, Jr.'s house).[52] Jones was arranging the film's musical score and agreed to produce Jackson's next solo album, Off the Wall.[53] In 1979, Jackson broke his nose during a complex dance routine. His subsequent rhinoplasty was not a complete success; he complained of breathing difficulties that would affect his career. He was referred to Dr. Steven Hoefflin, who performed Jackson's second rhinoplasty and subsequent operations.[54]
Off the Wall (1979), which Jones and Jackson co-produced, established Jackson as a solo performer. The album helped Jackson transition from the bubblegum pop of his youth to the more complex sounds he would create as an adult.[44]Songwriters for the album included Jackson, Rod Temperton, Stevie Wonder, and Paul McCartney. Off the Wall was the first solo album to generate four top 10 hits in the United States: "Off the Wall", "She's Out of My Life", and the chart-topping singles "Don't Stop 'Til You Get Enough" and "Rock with You".[55][56] The album reached number three on the Billboard 200and eventually sold over 20 million copies worldwide.[57] In 1980, Jackson won three awards at the American Music Awards for his solo efforts: Favorite Soul/R&B Album, Favorite Soul/R&B Male Artist, and Favorite Soul/R&B Single for "Don't Stop 'Til You Get Enough".[58][59] He also won Billboard Year-End awards for Top Black Artist and Top Black Album, and a Grammy Award for Best Male R&B Vocal Performance for 1979 with "Don't Stop 'Til You Get Enough".[60] In 1981 Jackson was the American Music Awards winner for Favorite Soul/R&B Album and Favorite Soul/R&B Male Artist.[61] Despite its commercial success, Jackson felt Off the Wall should have made a bigger impact, and was determined to exceed expectations with his next release.[62] In 1980, he secured the highest royalty rate in the music industry: 37 percent of wholesale album profit.[63]
Jackson recorded with Queen singer Freddie Mercury from 1981 to 1983, including a demo of "State of Shock", "Victory" and "There Must Be More to Life Than This".[64] The recordings were intended for an album of duets but, according to Queen's then-manager Jim Beach, the relationship between the singers soured when Jackson insisted on bringing a llama into the recording studio.[65] The collaborations were not officially released until 2014.[66] Jackson went on to record the single "State of Shock" with Mick Jagger for the Jacksons' album Victory (1984).[67] Mercury included the solo version of "There Must Be More To Life Than This" on his Mr. Bad Guy album (1985).[68]
1982–83: Thriller and Motown 25: Yesterday, Today, Forever
In 1982, Jackson combined his interests in songwriting and film when he contributed the song "Someone in the Dark" to thestorybook for the film E.T. the Extra-Terrestrial. The song, with Quincy Jones as its producer, won a Grammy for Best Recording for Children for 1983.[69]
More success came with the release of his sixth album, Thriller, in late 1982. The album earned Jackson seven more Grammys[69] and eight American Music Awards, including the Award of Merit, the youngest artist to win it.[70] It was the best-selling album worldwide in 1983,[71][72] and became the best-selling album of all time in the United States[73] and the best-selling album of all time worldwide, selling an estimated 65 million copies.[74] It topped the Billboard 200 chart for 37 weeks and was in the top 10 of the 200 for 80 consecutive weeks. It was the first album to have seven Billboard Hot 100 top 10 singles, including "Billie Jean", "Beat It", and "Wanna Be Startin' Somethin'".[75] In December 2015, Thriller was certified for 30 million shipments by the RIAA, making it the only album to achieve that feat in the United States.[76] Thriller won Jackson and Quincy Jones the Grammy award for Producer of the Year (Non-Classical) for 1983. It also won Album of the Year, with Jackson as the album's artist and Jones as its co-producer, and a Best Pop Vocal Performance, Male, award for Jackson. "Beat It" won Record of the Year, with Jackson as artist and Jones as co-producer, and a Best Rock Vocal Performance, Male, award for Jackson. "Billie Jean" won Jackson two Grammy awards, Best R&B Song, with Jackson as its songwriter, and Best R&B Vocal Performance, Male, as its artist.[69] Thriller also won another Grammy for Best Engineered Recording – Non Classical in 1984, awarding Bruce Swedien for his work on the album.[77] The AMA Awards for 1984 provided Jackson with an Award of Merit and AMAs for Favorite Male Artist, Soul/R&B, and Favorite Male Artist, Pop/Rock. "Beat It" won Jackson AMAs for Favorite Video, Soul/R&B, Favorite Video, Pop/Rock, and Favorite Single, Pop/Rock. Thriller won him AMAs for Favorite Album, Soul/R&B, and Favorite Album, Pop/Rock.[70][78]
In addition to the album, Jackson released "Thriller", a 14-minute music video directed by John Landis, in 1983.[79] It "defined music videos and broke racial barriers" on the Music Television Channel (MTV), a fledgling entertainment television channel at the time.[44] In December 2009, the Library of Congress selected the "Thriller" music video for inclusion in the National Film Registry. It was one of 25 films named that year as "works of enduring importance to American culture" that would be "preserved for all time."[80][81] As of 2009, the zombie-themed "Thriller" is the only music video to have been inducted into the registry.[79][81][82]
Jackson's attorney John Branca noted that Jackson had the highest royalty rate in the music industry at that point: approximately $2 for every album sold. He was also making record-breaking profits from sales of his recordings. The videocassette of the documentary The Making of Michael Jackson's Thriller sold over 350,000 copies in a few months. The era saw the arrival of novelties such as dolls modeled after Michael Jackson, which appeared in stores in May 1984 at a price of $12.[83] Biographer J. Randy Taraborrelli writes that "Thriller stopped selling like a leisure item—like a magazine, a toy, tickets to a hit movie—and started selling like a household staple."[84] In 1985, The Making of Michael Jackson's Thriller won a Grammy for Best Music Video, Longform.[69] Time described Jackson's influence at that point as "star of records, radio, rock video. A one-man rescue team for the music business. A songwriter who sets the beat for a decade. A dancer with the fanciest feet on the street. A singer who cuts across all boundaries of taste and style and color too".[83] The New York Timeswrote that "in the world of pop music, there is Michael Jackson and there is everybody else".[85]
On March 25, 1983, Jackson reunited with his brothers for a live performance taped at the Pasadena Civic Auditorium forMotown 25: Yesterday, Today, Forever, an NBC television special. The show aired on May 16, 1983, to an estimated audience of 47 million viewers, and featured the Jacksons and other Motown stars.[86] The show is best remembered for Jackson's solo performance of "Billie Jean", which earned Jackson his first Emmy nomination.[87] Wearing a distinctive black-sequined jacket and a golf glove decorated with rhinestones, he debuted his signature dance move, the moonwalk, which former Soul Train dancer and Shalamar member Jeffrey Daniel had taught him three years earlier.[88] Jackson originally turned down the invitation to perform at the show, believing he had been doing too much television at the time; however, at the request of Berry Gordy, Jackson agreed to perform in exchange for time to do a solo performance.[89] According toRolling Stone reporter Mikal Gilmore, "There are times when you know you are hearing or seeing something extraordinary...that came that night."[44] Jackson's performance drew comparisons to Elvis Presley's and the Beatles' appearances on The Ed Sullivan Show.[90] Anna Kisselgoff of The New York Times later wrote: "The moonwalk that he made famous is an apt metaphor for his dance style. How does he do it? As a technician, he is a great illusionist, a genuine mime. His ability to keep one leg straight as he glides while the other bends and seems to walk requires perfect timing."[91] Berry Gordy said of the performance, "from the first beat of Billie Jean, I was mesmerized, and when he did his iconic moonwalk, I was shocked, it was magic, Michael Jackson went into orbit, and never came down."[92]
1984–85: Pepsi, "We Are the World", and business career
In November 1983 Jackson and his brothers partnered with PepsiCo in a $5 million promotional deal that broke advertising industry records for a celebrity endorsement. The first Pepsi Cola campaign, which ran in the United States from 1983 to 1984 and launched its "New Generation" theme, included tour sponsorship, public relations events, and in-store displays. Jackson, who was actively involved in creating the iconic advertisement, suggested using his song, "Billie Jean", as itsjingle with a revised chorus.[93] According to a Billboard report in 2009, Brian J. Murphy, executive VP of branded management at TBA Global, said: "You couldn't separate the tour from the endorsement from the licensing of the music, and then the integration of the music into the Pepsi fabric."[93]
On January 27, 1984, Michael and other members of the Jacksons filmed a Pepsi commercial overseen by executive Phil Dusenberry,[94] a BBDO ad agency executive, and Alan Pottasch, Pepsi's Worldwide Creative Director, at the Shrine Auditorium in Los Angeles. During a simulated concert before a full house of fans, pyrotechnics accidentally set Jackson's hair on fire, causing second-degree burns to his scalp. Jackson underwent treatment to hide the scars and had his thirdrhinoplasty shortly thereafter.[54] Pepsi settled out of court, and Jackson donated his $1.5 million settlement to the Brotman Medical Center in Culver City, California. Its Michael Jackson Burn Center is named in his honor.[95] Dusenberry later recounted the episode in his memoir, Then We Set His Hair on Fire: Insights and Accidents from a Hall of Fame Career in Advertising. Jackson signed a second agreement with Pepsi in the late 1980s for a reported $10 million. The second campaign had a global reach of more than 20 countries and would provide financial support for Jackson's Bad album and 1987–88 world tour.[93] Although Jackson had endorsements and advertising deals with other companies, such as LA Gear, Suzuki, and Sony, none were as significant as his deals with Pepsi, which later signed other music stars such as Britney Spears and Beyoncé to promote its products.[93][96]
Jackson's humanitarian work was recognized on May 14, 1984, when he was invited to the White House to receive an award from President Ronald Reagan for his support of charities that helped people overcome alcohol and drug abuse,[97] and in recognition of his support for the Ad Council's and the National Highway Traffic Safety Administration's Drunk Driving Prevention campaign. Jackson donated the use of "Beat It" for the campaign's public service announcements.[98]
Unlike later albums, Thriller did not have an official tour, but the Victory Tour of 1984 headlined the Jacksons and showcased much of Jackson's new solo material to more than two million Americans. It was the last tour he would do with his brothers.[99]Following controversy over the concert's ticket sales, Jackson held a press conference and announced that he would donate his share of the proceeds, an estimated $3 to 5 million, to charity.[100][101] His charitable work and humanitarian awards continued with the release of "We Are the World" (1985), which he co-wrote with Lionel Richie.[102] The song was recorded on January 28, 1985[103] and was released worldwide in March 1985 to aid the poor in the United States and Africa.[104] The song earned $63 million for famine relief,[104] and became one of the best-selling singles of all time, with 20 million copies sold.[105] "We Are the World" won four Grammys for 1985, including Song of the Year going to Jackson and Richie as its co-songwriters.[102] Although the American Music Award directors removed the charity song from the competition because they felt it would be inappropriate, the AMA show in 1986 concluded with a tribute to the song in honor of its first anniversary. The project's creators received two special AMA honors: one for the creation of the song and another for the USA for Africa idea. Jackson, Quincy Jones, and entertainment promoter Ken Kragan received special awards for their roles in the song's creation.[102][103][106][107]
Jackson's financial interests in the music publishing business grew after Jackson collaborated with Paul McCartney in the early 1980s. He subsequently learned that McCartney was making approximately $40 million a year from other people's songs.[104] By 1983, Jackson had begun investing in publishing rights to songs that others had written, but he was careful with his acquisitions, only bidding on a few of the dozens that were offered to him. Jackson's early acquisitions of music catalogs and song copyrights such as the Sly Stone collection included "Everyday People" (1968), Len Barry's "1-2-3" (1965), and Dion DiMucci's "The Wanderer" (1961) and "Runaround Sue" (1961); however, Jackson's most significant purchase came in 1985, when he acquired the publishing rights to ATV Music Publishingafter months of negotiation.[104] ATV had acquired the publishing rights to nearly 4000 songs, including the Northern Songs catalog that contained the majority of theLennon–McCartney compositions recorded by the Beatles.[108]
In 1984 Robert Holmes à Court, the wealthy Australian investor who owned ATV Music Publishing, announced he was putting the ATV catalog up for sale.[108] In 1981, McCartney was offered the ATV music catalog for £20 million ($40 million).[104][109][110] According to McCartney, he contacted Yoko Ono about making a joint purchase by splitting the cost at £10 million each, but Ono thought they could buy it for £5 million each.[104][110] When they were unable to make a joint purchase, McCartney, who did not want to be the sole owner of the Beatles' songs, did not pursue an offer on his own.[109][110] According to a negotiator for Holmes à Court in the 1984 sale, McCartney was given first right of refusal and declined to purchase.[111]
Jackson was informed of the sale by his attorney, John Branca, in September 1984.[108] An attorney for McCartney also assured Branca that McCartney was not interested in bidding. McCartney reportedly felt it was too expensive,[104][109] but several other companies and investors were interested in bidding. Jackson submitted a bid of $46 million on November 20, 1984.[108] His agents thought they had a deal several times, but encountered new bidders or new areas of debate. In May 1985, Jackson's team left talks after having spent more than $1 million and four months of due diligence work on the negotiations.[108] In June 1985, Jackson and Branca learned that Charles Koppelman's and Marty Bandier's The Entertainment Company had made a tentative agreement with Holmes à Court to buy ATV Music for $50 million; however, in early August, Holmes à Court's team contacted Jackson and talks resumed. Jackson raised his bid to $47.5 million, which was accepted because he could close the deal more quickly, having already completed due diligence of ATV Music.[108] Jackson also agreed to visit Holmes à Court in Australia, where he would appear on the Channel Seven Perth Telethon.[111] Jackson's purchase of ATV Music was finalized on August 10, 1985.
Click here :http://adf.ly/1alGXm
Comments
Post a Comment
Thank You